![]() ![]() ![]() Bound and in mortal danger, Susanne must use all her psychological abilities to survive and, in the face of death, makes a shocking discovery. While searching for Sapphire, Susanne falls into the hands of John and is defenceless at the mercy of him. She finds out that Maja has a connection with both the police commissioner and John, and is involved in smuggling girls at the strip club. Susanne sees her former colleague Maja in a subway station. Reluctantly, he agrees to track down the girl. She contacts C.C., a war veteran and former patient with PTSD. She also learns that Sapphire is not only a witness, but also a possible target.Ī desperate Susanne looks for help to find Sapphire, who has fled. Susanne finds the witness Sapphire in the strip club and and discovers that she knows the suspected killer John. Björn gives her the name of the club and advises her to seek help. Using a pretext, Susanne succeeds in questioning her ex-husband Björn, who is in prison for murdering Frank (thought to be their daughter’s killer). The witness worked in a club to which Susanne’s ex-husband was connected. Susanne meets Officer Louise, who turns out to be a former client whom she helped after a rape, and she admits that there was a testimony of a woman’s murder. But Richard has no knowledge of either the man or any cases of murdered young women. Susanne seeks out Police Commissioner Richard, her husband’s superior and friend, to tell him about the mysterious patient. Then John arrives at her door asking for help to stop smoking, only to make a terrible confession while under hypnosis. ![]() There should be enough here to give you that impression, as well.OVERVIEW | NEWS | CAST | SEASON 1 | SEASON 2Īfter her daughter’s suicide, psychologist Susanne withdraws in mourning for weeks. As for Matthew and Aaron Toronto, I’m certainly game to see what they do next. However, this could be a good instance of a cast rising above material that perhaps could have used one more polish. -Assist casting directors with the management and coordination of. What I can tell you is that Face 2 Face is an experiment that warrants at least a look. The actors fill in a lot of the blanks, but they can only do so much. Unfortunately, as mentioned before, his screenplay (co-written with his brother Aaron) doesn’t quite come through on the story and characters. Particularly since he does this without sacrificing the need for a strong story with compelling characters. I also admire Toronto for wanting to create a film that attempts to encourage parents and kids, or others, to talk about some of the things that occur in Face 2 Face. I do think this movie has at least the potential to generate those sorts of conversations. It is presented as a computer screen film, being told almost entirely through a video chat screencast via webcam and smartphone cameras. I honestly don’t know if the movie will succeed in that regard. Face 2 Face is a 2016 American independent teen drama film directed by Matt Toronto, who co-wrote the film with his brother and collaborator Aaron Toronto. There is a sincere desire on Toronto’s part to discuss common teen subjects with a tone that understands, and wants to present these things in a way that might bring teenagers and parents together. It also lets down the fact that this is a movie with more to offer than just a gimmick. Both Amerman and Bobadilla make the material work, but we ultimately still have a script that lets them down to a certain extent. As the movie tries to hit some harder points, things descend into a melodrama that occasionally gets to be cringe-worthy. Yet there is something oddly cloying about these kids, and about the way their relationship unfolds. The movie explores subjects like bullying and depression without trying to talk down to its characters or material. The story itself is a little less thrilling. In watching the brilliant execution of these things by Toronto, as well as the cast, I was honestly enthralled. The movie also takes advantage of young actors who contribute a great deal to the film’s consistent tone. ![]() While telling an admittedly average story, the movie does utilize its style in a very fluid, consistently believable way. Face 2 Face wants to feel natural in every regard, and in every exchange between the kids. While this isn’t the first movie to use those things for storytelling purposes, this is certainly the first movie to aspire to telling a fairly ambitious story with only those things. This is also how the movie was actually shot by Toronto. Their relationship rekindles over computer screens and/or phone video chats. face2face is the flexible, easy-to-teach course for busy teachers who want to get their learners to communicate quickly and with confidence. The story concerns two teenagers, Teel (Daniel Amerman) and Madison (Daniela Bobadilla) who pick up a childhood friendship after a number of years. Directed by Matt Toronto, Face 2 Face wants to be more than an intriguing execution of its premise. ![]()
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